This was an experiment. Not all experiments work out well, but that’s half the fun; not knowing if it will, or it won’t. The day I started this painting I realized too late that I would need some masking for the cotton in the field. I live in the country, so driving to a store wasn’t even a fleeting consideration. I rarely use masking so I had none. Boldly, and might I say, wrongly, I chose wax. Candle wax. It repels water doesn’t it? Why not? Well, first of all, it was a challenge to place the drip, and my hand seemed always in the way of the flame. Dangerous, but I finally got it done. The hardest part came when the painting was finished and I had to remove the wax. Glad it was a small painting. I was ultimately successful in removing all the wax and was satisfied enough with the painting to frame it.
Another watercolorist’s words, but oh so true. I smiled when I read this, remembering how frustrating I found this in my early watercolor years. The paint doesn’t always stay where I put it. I anticipate this behavior now, and even encourage it, painting wet-on-wet. The paint will continue to travel across moistened paper and to mingle with any other colors it touches along the way. It is one of the loveliest things about watercolor, that it continues to change even after I’ve stopped pushing it around with the brush. The key is knowing when to push and when to stop and watch.
Not every student desires to become an artist, but they all seek a connection to their environment, and perhaps to themselves. Come to the Drawing Crash Course! Saturday May 07, at Auburn,University and learn how to see.
It was unlike other mediums I had tried; pencil, charcoal, oil, acrylic…put them down and they stay put. Not so with watercolor which continues to move long after you’ve walked away, as if it had a mind of its own. Now, I find that characteristic the one I’ve come to love the most. I’m endlessly fascinated by watercolor. My advice to newbies….relax, don’t be too bossy with watercolor, it doesn’t respond well to micro-management.
Join the class on any Wednesday in June or July. Every three hour class ($45.) will include a little drawing instruction, some color theory (how to make the color you want by mixing the three primaries), and every class will include some painting techniques you will use over and over again (for example: the same technique for painting clouds can be used to paint trees). 706-888-1110.
I am honored to receive the Carmike Cinemas Corporate Sponsor’s Award for Cat Brier, Hadden Wood. This 11 x 14 watercolor sold for 100 volunteer hours at the 2014 Young Professionals “Time For Art” event in November. The highest bidder has one year to work their 100 volunteer hours for the local, charitable organization of their choice. I’ve had greeting cards made and plan to publish a limited edition print of Cat Brier.